Is parallel compression on your drum tracks worth it?
Or can plain ol’ regular compression strapped across your drums submix do the trick?
Can you get away without using any drum buss compression at all?
How should you go about choosing the appropriate technique for the drum sound you’re currently aiming for?
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My name is Bobby Torres and I’ve been a full-time audio engineer/producer/mixer within the metal and hard rock genres for well over a decade.
I’m on a mission to put an end to all of the false information that leads aspiring producers and mixers down a never-ending path of confusion, wasted money, wasted time and very little progress.
You will also be subscribed to my weekly newsletter with my latest metal mixing tips. You can unsubscribe at any time.
