One of the hardest things to get right in a heavy rock or metal mix is LOW-END.
Low-end can sound awesome, thick and full in your studio, but the second you bring your mix out to your car..
It can all of a sudden sound super muddy and boomy.
So annoying!
This used to drive me insane.
You’d think that the most logical thing to do would be to cut a bunch of low end on your master fader, but that just makes your mix sound super thin and weak.
Boosting a bunch of top-end doesn’t help either…straight razor blades!
These solutions never gave me the result I was looking for.
How the hell do professional mixers get their mixes sounding so powerful and full in the low-end while retaining such clarity?
It wasn’t until I learned how to manage my low-end from an actual pro that it all started to come together.
There are 3 very specific things you can do to really level up your low-end game on your future mixes.
Watch this video to learn my top 3 mixing techniques for super controlled low end in a pro heavy mix.
